Meditation: Animist Consecration

Last night my awesome wife Ali and I joined in a set of consecration ceremonies at our Unitarian Universalist church. Along with the Reverend’s UU blessing and our friend Chris’s Wiccan consecration, we demonstrated a Druid / Animist method of connecting with an object.

I say “connecting with” an object instead of “consecrating” because in our tradition, all things are sacred. We cannot imbue an object with holiness. It is already holy. What we can do is recognize the sacredness of the object, and enter into relationship with it (or deepen our existing relationship). We do this by sitting with the object, touching it, and listening for its voice in the Song of the World.

I wrote a meditation to guide this process, and it seemed to go well, so here it is in full:

Animist Consecration Meditation

Sit and relax. Take a deep breath… and release. As you breathe out, let all your tension melt away. Relax your shoulders, relax your neck, relax your eyes. Take another deep breath… and release. Imagine that a wave of warm golden light is slowly rising in your body, starting in your feet, rising up through your legs, up into your torso. The warm golden light fills your body, down your arms and into your fingers, up to the top of your head… Let your body sink, growing heavier. Your arms and legs have become heavy and settle comfortably.

Now turn your attention gently to the object in your hands. Feel its weight there. Imagine that, like your body, it is becoming heavier. Feeling its weight and heft pressing in your hands helps you relax further. … Feel its texture. Is it hard? Soft? Smooth? How does it respond when you apply gentle pressure? … Feel the temperature of the object in your hands. Perhaps it has responded to the warmth of your body, becoming warmer as you’ve been holding it.

Think about history of the object. Where did it come from? How did it come into this room? How did it come into your possession? Do you know who else has held this object, if anyone else ever has? Was it crafted by a person, or by a machine, or is it completely natural? How long ago was it made? Where did the materials of the object come from? From an animal? A plant? If so, what do you know about those living beings, and the lives they led? Did they live nearby, experiencing the same summers and winters and rains as ourselves? Or did they live far away, in a distant land, under different stars? Has it been under the sea? Did it come from the earth, crafted from stone or crystal, formed millions of years ago?

Imagine what it must have been like to experience the history of this object — from the time of its making down to the present day. Think about what it must be like to be the object, now, today, surrounded by us in this warm and sacred space, being held and warmed by your hands.

Feel the warmth of the object again. The object has responded to the heat in your hands. The heat in the object is nothing more nor less than vibration; its atoms and molecules have begun to vibrate along with the atoms and molecules of your hand. If your ears were sensitive enough, you would be able to hear the vibration of the object in the air. Hold it tightly and feel the warmth. If it were making an audible sound, what would it be? Would it be high-pitched, or low? Would it be a single constant tone, or a chord of notes? A monotone, or a tune? …

Hear that sound in your mind. Focus on it.

Now, in a moment, when you are ready and comfortable, respond to the song of the object, in whatever way feels right. Maybe you want to hum along with it, or provide a bass or counterpoint. Maybe what is called from you is a chant, or a whisper. Sit with your object, listen to it, and respond. Sing the song of the world with your object.

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Ruminations Under an Oak

On Wednesday we visited the Angel Oak near Charleston, South Carolina. It is a vast thing, probably over a thousand years old, twisted and hoary and huge, like a cross between a live oak and an elephant. From a short distance away, it looks like a whole grove of trees; under its boughs, it is a cathedral of gnarled, bearded wood, floored with waxen golden leaves.

Some random thoughts I had while sitting, meditating, and walking around and under the Oak:

Most trees are a tall trunk, from which spread the branches in a halo. The human body is much the same. Most animals follow a slightly different scheme: a horizontal trunk, supported by multiple limbs. Human architecture tends to follow the animal scheme, a horizontal roof supported by multiple pillars. But there are exceptions, such as the yurt, which is supported by a central pillar, and is extremely sturdy.

The Angel Oak has multiple support points, like an animal; but the overwhelming impression is more like an atom or an amoeba: its trunk is less like a central pillar, and more like a nucleus. Its branches and roots go up, down, sideways, in all directions.

This tree is a god. Literally. Touching its bark, you have same sense of something ancient, nigh-eternal, and very present, aware of you. Tolkien had it right when he described Treebeard’s eyes.

One felt as if there was an enormous well behind them, filled up with ages of memory and long, slow, steady thinking; but their surface was sparkling with the present: like sun shimmering on the outer leaves of a vast tree, or on the ripples of a very deep lake. I don’t know but it felt as if something that grew in the ground – asleep, you might say, or just feeling itself as something between root-tip and leaf-tip, between deep earth and sky had suddenly waked up, and was considering you with the same slow care that it had given to its own inside affairs for endless years. — Tolkien, The Two Towers

Time. The tree is old, old, but time is measured in changes. For something that changes little… time moves more slowly. The Oak moves slowly compared to humans, so a thousand human years is not a thousand oak years. Still, it loses and regains its leaves each year (in the spring); it is not changeless.

It is a living sculpture carved by gravity, light, air, time, and the forest around it. The branches curve and twist in unexpected ways, echoes of obstacles the tree once faced, now long-gone. For some reason, it hasn’t grown to the east. Maybe there was a building there, or another large tree, now vanished?

The tree has grown to become an axis mundi. An axis mundi, a world tree or central mountain, sits in a central location, and exerts its influence over the whole world; and the whole world is reflected within it. Just so: the Angel Oak influences the land all round it, physically and spiritually, so that the land echoes the oak; and the oak reflects the land all round it, too. Of course, this is true of all things; it is only our human manners of seeing and thinking that make some axes mundi clearer than others.

The Angel Oak and its surrounding forest are threatened by development. Get more information here.

Oddments

  • Think of the fierce energy concentrated in an acorn! Bury it, and it explodes into an oak! Bury a sheep, and you get nothing but decay. -Shaw
  • And this our life, exempt from public haunt, finds tongues in trees, books in running brooks, sermons in stones, and good in everything. -Shakespeare

Moss, Mire

This week we’re in Charleston, South Carolina, visiting the Angel Oak. It’s considerably sunnier and wetter here than it is back in Pittsburgh: the earth is sandier, the blue skies paler, and the waters warmer. In the morning we went out jogging past the stately homes, the gardens lush with semitropical bushes, huge magnolias, and towering pines. In many places the yards showed the ongoing struggle of the suburbanite to grow grass everywhere, everywhere in America, even in places that would much rather be, say, a sandy beach, or a peat bog. As we ran, we ducked under the hanging Spanish moss, one of my favorite plants of the deep South.

Spanish moss is not moss at all, really, but a kind of bromeliad, related to the pineapple, and native only to the Americas. Like many bromeliads, it grows in the air, attached to other plants (or poles or telephone wires), and thrives in areas of high humidity. The island of Barbados (from Portuguese “bearded”) was named after the Spanish moss growing there.

The Proto Indo European root meu meant both “moist” and “marsh”; it is the ancestor of Latin mucus (eww) and Proto Germanic musan, meaning “marsh,” “bog,” “mire,” and a plant that often grows there: “moss.” Musan became meos in Old English and moss in modern English. Meanwhile, musan became myrr in Old Norse, which was borrowed into English as mire. These words both carry the spiritual notion if manifestation, creation, in recognition of the tremendous life-fostering power of those areas where land and water mix in equal parts. Moss also has earthiness and growth, increase; while mire has strong motion, power, movement, and suggests an almost malevolent agency of entrapment.

Oddments

  • We procrastinate all our lives. Perhaps we know deep down we are immortal, and that eventually all men will do and know all things. – Borges
  • When the oak is felled the whole forest echoes with its fall, but a hundred acorns are sown in silence by an unnoticed breeze. -Carlyle

Rain, Wind

It’s been a cold, rainy spring here in southwestern Pennsylvania, and though there are lilies blooming in the garden and birds clamoring in the yard, I’m nevertheless wrapped under two blankets, the windows are shut tight and the rain and wind are beating at the glass.

3 AM – I am awake to the downpour, dark rains swelling the land, my bones themselves seeming waterlogged until they are spongy and wrinkled.

4:11 AM – The first bird opens his throat to swallow the dark in rising song slipping in between the rain. The land awakening, dawn remade. – Ali

Rain

Rain is probably from Proto Indo European reg, meaning “moist, wet”, related to Latin rigare (whence we get irrigate). In Proto Germanic reg became regna, and in Old English, regn, contracted to rain in Middle English. Spiritually the word indicates motion through initiation towards groundedness and release; it echoes the sentiments of many who feel that a shower is a baptism of the earth.

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The Pagan Knot: Why ‘Pagan’ Is The Perfect Name For Us

Scott Reimers over at Patheos wrote a fascinating post recently suggesting that ‘Pagan’ was an unfortunate name for our religion (or family of religions) and that we should change it. Why? Because, according to Reimers, it’s not really a word for what we are so much as a word for what we’re not:

The ONE defining universal trait among Pagans is that WE ARE NOT CHRISTIANS… If you think about it, the major reason that “Pagans” hang together is because it’s so nice to interact with people who don’t assume that we should act a certain way to be the right flavor of Jewish, Christian or Islamic.

He goes on to argue that this is unhealthy for our community:

Our very title pushes us toward fear and separation.  Christians verses Pagans.  Us verses Them… It is time to change this.  It is time to intentionally adopt values that are universal, re-title ourselves and grow past identifying ourselves as Pagan.

He suggests instead inventing a term — “PagAND” — which emphasizes the value of tolerance among all pagan branches and other religions:

Rather than trying to figure out what we all share, I advocate that in tolerance, we agree to celebrate NOT SHARING. Let’s make the conscious decision to defend everyone’s right to practice our own weird faith… this time including the Christians… [This would be] the difference between focusing on excluding others and declaring that we are a part of a group with an intentional focus on living the wonderful principle of tolerance.

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Om, Pagan, Paradise

My old blog, the Word of the Day, is defunct, and I’m getting ready to take it down. Before I do, though, I’m going to repost some of the best words here over the next few weeks. Enjoy!

Om

From Wikipedia:

OM is a mystical or sacred syllable in the Dharmic [i.e. Hinduism, Buddhism, and other closely related] religions. It is placed at the beginning of most Hindu texts as a sacred exclamation to be uttered at the beginning and end of a reading of the Vedas or previously to any prayer or mantra.

Wikipedia also compares Om to Amen; in this connection it’s interesting to add also the Revival Druid exhortation Awen.

It first appears in ancient Vedic Sanskrit manuscripts, meaning something like “yes”, “verily”, “so be it” — much like Amen. As time went on and Hinduism developed, it came to mean something much more profound. It is variously described as

  • a magnificent syllable for meditation
  • the goal of all spritual practice
  • the utterance of the perfect soul at death
  • the voice of God
  • the mystic name of the union of Shiva, Vishnu, and Brahma
  • the principle of three-in-one
  • the sound of the universe’s vibration

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Defining Paganism IV: Is Paganism a Religion?

In the last few posts, I proposed a definition of pagan based on the notion of prototypes. In this definition, pagan does not refer to a precise, countable set of people in the world. Instead, pagan refers to a set of overlapping and related prototypes — witch, druid, indigene, shaman, earth-centered, local, and probably some others. Instead of saying definitively whether someone is or is not pagan, we can (more usefully) point out ways in which they do or do not fit, or aspire to fit, one or more of these prototypes.

With this definition in hand, we can now turn to an extremely thorny question: is paganism a religion?

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