Virginia arrived a little bit late to the United Powers summit in San Francisco three days later. She had overslept after exhausting herself walking around the city a day before – a mixed city of Yamacraw, Cherokee, and Spanish. A huge influx of Spanish immigrants had arrived during Spain’s slide into fascism over the previous decade. San Francisco was four hundred years old, unplanned but filled with parks, sitting on a plateau of dry land surrounded by sandy bogs. At the foot of cliffs on the north side of the city, the stately San Francisco River crawled by on its way to the Pacific. Virginia had walked among the tall old homes and the playing fountains, leaning on the ironwork fences and resting on the wooden benches. — Wild Enough and Free

NaNoWriMo 2012: The Binding Coil

November 8th, 2012 § 0

steampunk bug

Made by Daniel Proulx A.K.A : CatherinetteRings , Steampunk jewelry designer and sculptor

As I mentioned over on Druid Journal, I’m writing a steampunk novel. It’s taken me a while to settle on a title, but I think I like this one: The Binding Coil. So… you wanna help me write it?

I’m doing National Novel Writing Month this year, the annual “30 Days and Nights of Literary Abandon”, to try and power through the majority of the first draft. I’m a bit behind — only at about 8,000 words, and it’s already day 8! — but I’m confident I’ll get to the target (50,000) on time. And I’d like to post the text here as I go, to see how folks like it, and solicit feedback.

So, dear reader: would you like to help me write this book? A monstrous, sprawling thing, spawned in darkness and terror, crawling toward the light of day, spewing horrible syllables of unholy power… Wait, is that the novel, or the antagonist?… Anyway: it’s a book about steampunk, secret societies, shamanism, the creeping edge of insanity, and the loss (and regaining) of home and family.

Overview

Orphaned Amy Milton discovers she has strange uncontrollable powers when she accidentally changes her cousin into a monster. She is abducted to a remote, hidden school called the Athenium, run by a secret society called Sea Star. There she is instructed in occult technologies and magics, and she tries to learn to control her powers. But things go from bad to worse, as her subconscious fears rise to the surface. Stricken with uncontrollable blind rages, she injures her teachers, her best friend, and even herself. Somehow she must learn to control her mind and abilities, or the Athenium will wipe her brain and condemn her to an insane asylum. Or worse…

How You Can Help

Sound good? I hope so! I’m going to be posting things here pretty regularly — short posts of one scene or so, as the novel progresses throughout November. What I need are what Orson Scott Card calls “Wise Readers”: people who are willing to read and tell me three things:

  1. Where are you confused? Any time you don’t know what’s going on, and you think you *should*, let me know.
  2. Where do you not care? My goal is for you to be interested in the book, to find out what happens; and I want you to care about he main characters, to be emotionally invested. Where have I failed? Where have I succeeded brilliantly?
  3. Where do you not believe? Obviously this is a work of fiction, but my goal is to create a self-consistent world, and help you suspend your disbelief. Whenever I fail, whenever you find yourself saying “that character would never do that”, etc., let me know.

And of course any other thoughts you have. I can’t pay you a dime for your efforts, but you’ll have my undying gratitude, and when the book is published (as a kindle ebook at the very least) you’ll be in the acknowledgements.

So if you’re interested, just leave a comment below!

And without further ado: the first scene.

Scene I: In Which All Is Lost

Mauritius Island - 2003

“I love you. I love you! I love you!”

The parrot paused, squawked, and ruffled its feathers. Then it screeched again, even louder: “I love you!”

“Someone shut that bird up!” shouted Amy’s mother. She heard a servant scrambling to cover the parrot’s cage, to make it think it was night so it would go to sleep. Sometimes that worked.

Amy silently turned her attention back to what she was doing: packing her bag for her escape. She eased open the pantry — slowly, lifting the door slightly so it wouldn’t squeak — and grabbed two loaves of bread and the jar of peanut butter. She put them in her bag with the bottled water, apples, razor, and $500 stolen from her father’s room, and eased the door back into place.

She peeked out of the kitchen. The servants were nowhere to be seen. Mariel, the afternoon housekeeper who was always smirking at her for some reason, was probably the one downstairs with mother and the parrot. Christian, the solid, bear-like cook, would be away at the market for another hour. The laundry servants were in the basement — no danger of them coming up anytime soon. Her mother was watching television and would be planted there until dinner, like usual. Her father was at the Embassy, of course. So it was the perfect time.

She moved, quickly and silently, straight down the stairs, through the back hall, out the door, across the yard, and up to the wall. It would take just a moment to use the palm tree to wedge herself up to the top of it, hop over, and drop into the neighbor’s backyard. From there, she’d dash behind the stand of bamboo, slip out to the street, and then… she’d be free.

So why wouldn’t her legs move?

She struggled with herself for a moment. Come on Amy, she hissed to herself. Just do it. Get it over with.

No one would miss her. Well, of course they would notice she was gone, but they wouldn’t be sorry about it. It would be a relief to them, really, once they got over the shock. They never paid any attention to her anyway; she barely saw them, even at mealtimes. She usually came downstairs, and the cook handed her a plate of food, and she went into the living room to eat with her parents. Her father sat silently, checking messages or whatever on his phone, and her mother screamed at the television, and the parrot screamed at all of them, and her mother screamed at the parrot, until Amy couldn’t take it anymore and she went to her room to eat and watch television in peace. Every night.

Her parents hadn’t always been this way. She remembered when they had seemed to really love her: her father sometimes took her to work; her mother took her to the local parks; and they would go on vacation, as a family, to Taiwan, or Australia. They would go on drives through the countryside and stop at a friend’s farm for dinner. She could play with other children and the sheep and chickens, while the adults talked and smoked and drank servesa, and the evening drew on, and the stars came out…

But those trips became less frequent, and her parents stopped spending time with her, and with each other. She didn’t know why. Sometimes she wondered if she had done something to make them stop loving her. Or if some terrible tragedy had occurred, a tragedy that had emptied them of all hope and love, a tragedy that they could never reveal to her. They barely even looked at her anymore, or if they did, they glanced away quickly, as if she reminded them of something they’d rather forget.

She had tried to reach them. She’d asked them to go places with her — museums, parks, the movies. But they never seemed to have time. They never took any interest in her schoolwork. Her tutors were sympathetic, in a distant way, and she tried to talk to them, to get to know them, just to have someone to talk to. But she saw each of them for only an hour or so every few days, and they always had to dash off to their next client.

If she’d had any friends, she could have talked to them. She would have been able to tell them how lonely she was, and how afraid she was that her parents had grown to hate her for some reason. And maybe they would have been sympathetic, and told her, no, you’re fine, and they’ll be fine, you’ll see… Even if that had been a lie, it would have been some comfort, for a while.

But she had no friends, no one to talk to. Her parents had rejected her and she was utterly alone, trapped in this house. So she was leaving.

Once she was over the wall and gone, they’d call the police, and since her father was the US Ambassador to the Philippines, it would be a major news story. Everyone would look for her. She knew how to keep from being found, though: buzz-cut her sandy brown hair with the razor and dye it black, and smear her pasty-white skin with emu oil, so that she would look more like a native Filipino. Her eyes would still be washed-out blue, but that wasn’t uncommon among Filipinos. She’d hide out down by the markets; no one would notice one more person sleeping in the street. She could live on $500 for months. After a week, maybe two, they wouldn’t really be looking anymore.

Then she could…

Then she could what?

Well, whatever she wanted.

Distantly, she heard the parrot squawking, her mother shouting again. The sea breeze rustled the palm leaves above her.

Whatever she wanted. What did she want?

She wasn’t sure. But you know what? It didn’t matter. She could figure it out later. Right now she didn’t care where she went or what happened to her. All she knew was that she hated them all and she was getting away from them.

She wedged herself between the palm tree and the wall, pressing her back against the bark and her feet against the stone, and began working her way upward.

That was when the bomb went off. The shock of the explosion knocked her to the ground on her back and ripped the palm tree from the ground; chunks of masonry and drywall flew above her head and rained around her. She rolled over and curled up with her arms over her head. The palm tree crashed next to her, collapsing the wall, and she shrieked in pain as stones and cinderblocks fell onto her back. There were other screams, more explosions, snapping of wood and shattering of glass. Sirens. After a moment, when most of the noise died away, she hesitantly looked up. Her home was on fire, the roof blown off, the walls teetering or falling, and foul black smoke belching out.

Of what happened next, she only remembered fragments of things: running towards the house, screaming; tripping over bits and pieces of furniture, clothes, and toys, strewn across the yard; trying to get in the house, the firemen grabbing her, pulling her back; more explosions.

The parrot’s cage. Watching the firemen working, sitting in the yard, wrapped in a blanket, she saw it, its bars twisted and broken. The body of the parrot was still in it.

And she remembered identifying her parents in the hospital, before they were taken away forever.

Steampunk Mystery (untitled), Revision

May 9th, 2012 § 0

It’s been a good long while since I had the chance to work on this, but I did get a few hours to tackle it last night, and made some changes I’m super-excited about. It’s still very much in progress, but I did get it to the end of part III, and made a bunch of expansions to the first two parts; so I’m posting the whole new version here. Spoilers, notes and outline are here.

I

The body had been in shadow; but as the sun slowly rose higher, its light flooded in, sickened and dimmed by the lab’s incredibly grimy windows. It illuminated first the dead man’s worn, aged boots; then his tattered, torn workman’s trousers; then his half-rotted shirt and vest, and his white wrinkled hand, clutching at his chest as if frozen after his final agony — and finally his head, the beard neatly trimmed, the skin stretched tight over the bones, the eye sockets empty. He had clearly been dead for weeks, maybe a month.

The rest of the lab was immaculate. Books were organized on the shelves by subject, and then by author. Glass bottles, polished and neatly arranged on the shelves and tables, glittered as the light touched them; the liquids within them glowed oddly blue, green, or gold. At the main table right near the window, the latest project sat completed: a torus of wood, brass, and gleaming copper wire, perched on its end. The dirty light from the window shone directly through it, casting its circular shadow across the lab. Beside it, Ashleigh Isaacs slept with her head on the table, snoring gently. Chunks of wood and brass and glass and wire lay by her hands where she’d dropped them.

The light touched Ashleigh’s tight-curled brown hair and she stirred, sat up, blinked, and rubbed her eyes. She took a deep breath and smiled at the torus on the table in front of her, running her hand over its surface. Then she frowned, sniffed at an unpleasant smell, and her eyes fell on the body.

She screamed.


II

When Franklin dashed in a second later, he was startled, but he didn’t scream. He’d seen plenty of dead bodies before. He ran back out, got some water from the sink, and brought it to Ashleigh. Ashleigh had been raised to think that if you were a female and you saw a dead body, you fainted; but somehow that didn’t happen. So she stopped screaming and accepted the water.

“How did he get here?” asked Franklin.

“I don’t know,” said Ashleigh. “I just woke up and saw him.” She cursed — not something she’d been raised to do, but she found it useful, and Franklin didn’t mind. She emptied the glass and put it down. “My God! Who is he?”

Franklin knelt by the body. “He’s been dead maybe a week or two,” he said. “Looks like he may have died of a heart problem.” Gingerly he felt in the pockets of the rotten clothing. “Some coins here, not many. No purse, no cards… No way to tell who he is.”

“You seem awfully calm,” said Ashleigh, a little more harshly than she’d intended. Franklin didn’t seem preturbed at all.

Franklin shrugged. “I’ve seen dead bodies before,” he said. “My uncle, Red Feather, died right next to me when we were surprised by a group of Míkmaqs.”

“You didn’t tell me that,” said Ashleigh, aghast. “That’s horrible! How old were you?”

“About ten,” said Franklin. “It was a long time ago. But he died well. And I was in some other battles before I came to school here.”

“It’s so strange,” said Ashleigh. “I’ve never left Boston. It’s odd to think of — of people just fighting and dying out in the woods outside the city…”

“It didn’t happen all the time,” said Franklin. “Maybe once or twice in a year, depending on whether there had been an argument over fishing territory, and whether the French were paying them to attack us.


[Here, franklin should do something else physical; bring in more Victorian description. What are they wearing? What is their hair like? Also, I’d like to clarify their relationship: there is sexual tension here, but because we’re not in anyone’s head, it’s not visible. Go into Ashleigh’s head and have her notice his hair and physique, and have her get a bit flustered when he touches her, and that’ll be enough.]


And there are plenty of people fighting and dying here in the city, you know.”

“Well, sure. But not at MIT. Except this guy, I guess. Creepy.”

“Yes,” said Franklin. “I’ve never seen a body this decomposed, I admit. Not in the forest, and not in the math department.”

“They’re not common in the engineering department either,” said Ashleigh. “But look — how long do you think he’s been dead?”

“I’m not sure. A few weeks? A month?”

“You’re sure? So there’s no way the police could suspect that I murdered him?”

Franklin snorted. “Of course not! There’s no sign of foul play at all.”

“But how did he get here? Did someone drag him in? Why would anyone do that? Is it some kind of sick joke? A prank?”

“Maybe,” said Franklin. “A student who has access to a morgue?”

“A medical student,” said Ashleigh. “Maybe he’s still nearby, waiting to see how we’ll react.” She went to the door of the lab, which led directly out onto the street. It wasn’t a great place for a lab, really — there was a lot of traffic outside, and it wasn’t uncommon for curious passerby to stop and peer in the windows. But there was barely enough lab space for all the male students at MIT, much less the female students. She had to take what she could get.

The street was almost empty at this early hour, but she nearly tripped over a huge sack full of newspapers that had been dropped right by the door.

“Franklin! Look at this.” She bent down over the sack.

“What is it?”

“This is the newspaper sack that boy last night was carrying. See? The strap is cinched up for a boy to carry. And it was right here that I bumped into him. It’s definitely his bag.”

“Wait, I’m confused. You bumped into a paper boy and he dropped his bag? Last night?”

“Well, he didn’t drop it right then. I was just taking a break from my project, and came out for a smoke, and almost walked right into him. He jumped aside and almost ran into that professor, Dr. Mordeaux.”

“Mordeaux! That was unlucky. He hasn’t liked us much since we were admitted. I don’t think he likes women or Indians.”

“Yes. You should have seen the look he gave me. But I don’t think it was just bad luck — I think he’s been following us around. “

“Great. …So the boy was out here selling papers, and at some point he — what? He dropped his bag and ran off?”

“That would be odd; why would he just leave his papers? More likely he was attacked or kidnapped or something, and dropped the bag then. And that means — Franklin, the police are going to suspect I captured him!”

“Why would they think that?”

“Who else are they going to suspect? I’m an easy target.”

“Why do you say that? Ashleigh, relax. He probably just ran off home or something. There’s no reason to think he’s actually missing.”

Ashleigh shook her head and looked doubtful. She looked at the papers again, and frowned. “Wait. Frank, do you notice anything odd about this?”

He studied it a second. “It’s old,” he said. “It’s — oh! Ashleigh, it’s from thirty years ago! It’s got dispatches from the War in it.” He grabbed one. “‘Our correspondent, reporting from Washington… President Lincoln said today…’ Are you sure this is the bag the boy was carrying?”

“Whose else would it be?”

“How should I know?” he demanded. “But why is he carrying a load of old papers?…”

“I don’t know.” Ashleigh sighed, stood, and turned back into the lab. “Bring the bag in; maybe it’s got some clue to where the boy went.”

She sniffed as she crossed the threshold. “Faugh! The smell in here is getting bad.”

Franklin wrinkled his nose. “It certainly is. Although — Ashleigh, the lab looks fantastic! Look at how clean everything is! Is this the result of your project to build an automoton to clean your lab for you? Did you finish it?”

Ashleigh looked around, beaming. “I certainly did. I worked on it most of the night, and finished it up in the early hours.” She patted the wood and brass torus on the workbench.

“What? That doesn’t look like an automaton. Does it roll or something?”

“No, this is quite different. Building an automaton turned out to be very complicated. I kept getting tripped up on things that should have been simple, like walking, seeing things properly… And I thought, why not just make use of the platonic brane? A simple aether-thinner should allow enough of the disentropic field to propogate — over a small area, at least.”

“But that’s ingenious! — Look at this! Even your books are organized! How much energy did it take?”

Ashleigh had been blushing with pride, but now she frowned. “Well, that’s the odd thing. It took much less than I was anticipating.”

“That’s a good thing, right?”

“Sure, I suppose. But I’d rather know the _why_ of it.”

Franklin sighed. “Well, I suppose that gives us three mysteries today. We have extra energy, an extra dead old man, and a missing boy. The police will have to solve the last two, of course.”

“There’s no way we’re calling the police,” said Ashleigh. “Not until we’ve solved this ourselves.”

“Why, what do you mean?”

“Think about it, Franklin! There’s a dead body in my lab, and I was probably the last one to see this missing boy — and Mordeaux saw me bump into him. And I’m one of the few female students here at school, and hardly any of the professors like me. Dr. Patterson will vouch for me, but he’s the only one. And I’m an orphan and poor as dirt. The police will arrest me just to save themselves the trouble of actually investigating.”

“I forgot,” said Franklin. “This is a _civilized_ society.”

“And none of your sarcasm,” Ashleigh snapped. “This is serious. There’s no way we’re calling the police until we can hand them proof of who actually did this. And I –”

“Miss Ashleigh Isaacs,” said a voice at the door. There was a single sharp knock which slammed the door back on its hinges, and two of Boston’s finest stepped in, their broad shoulders and huge blue coats blocking the light from the doorway. “We’ve been informed that — cor, Danny, there it is all right, just where that passerby said he’d be. Don’t he half smell ripe, too! Miss Isaacs, you’re under arrest for suspicion of murder.”

“What! I never — officer, you must listen — I just woke up this morning and saw him there — I have no idea how –”

“Ashleigh!” cried Franklin. “Hush! Don’t say any more until you have a lawyer!”

“Oh, she’ll talk, Injun,” said the officer, grinning. “We’ll make sure she talks.”


III

“So let me get this straight,” said Inspector Strand. “We have a corpse — been dead three weeks, no identification. We have a missing paperboy, unknown whereabouts. His mother says he didn’t make it home last night. We have a bag of newspapers from 1861 or thereabouts. And Dr. Mordeaux, last night you saw Miss Isaacs abduct this boy?”

Mordeaux sat up straight in his chair, folded both gloved hands over the top of his cane, and thrust his luxuriantly whiskered chin directly at the inspector. He spoke with conviction and force.

“Yes,” he said. “As though I’d seen it with my own eyes.”

Strand nodded and began to write in his notebook. He, Mordeaux, Ashleigh, Frank, and several other officers were in the Inspector’s office, making their statements. It was a rather dingy affair, decorated sallowly with yellow paint and bare wooden furniture, and lit by windows barely less grimy than those at Ashleigh’s lab.

“And so you — wait, what? ‘As though?’ Doctor, did you see it happen, or not?”

“Just as I said.”

“He’s lying!” cried Ashleigh. “I did _not_ abduct him! I have no idea where he is!”

“Doctor, this is a very serious accusation,” continued the Inspector.

“It is indeed,” said Mordeaux, frowning and shaking his head disapprovingly.

“We must be quite certain of your evidence.”

“Oh, you may rely upon it, sir.”

“But I didn’t do it!” cried Ashleigh.

“Miss Isaacs,” snapped Strand, “you will be silent or I’ll have you removed to a holding cell.” He sighed. “I apologize for asking again, then, sir, but I want to make sure it is very clear. Did you actually, with your own eyes, observe Ashleigh Isaacs kidnap this young boy?”

“Yes, she kidnapped him. Unequivicably.”

“_Yes,_ you saw her, or _yes,_ she kidnapped him?”

“Yes!” growled Mordeaux. “Inspector, I do not understand how our police department can afford to accommodate deaf officers. Either you are deaf or dumb or both, but I am a busy man simply trying to do his civic duty, and I will not be pestered all morning with repetitive questions.”

Strand began furiously writing in his notepad, muttering into his sideburns. “Very well, sir. And did you also observe these students bringing the corpse into their lab?”

Mordeaux thrust out his beard proudly. “I did not, Inspector, but I’ve seen them doing similar sorts of pranks in the past. It’s just the sort of thing they would do. Just last week I saw them gathering up cemetary dirt for some vile experiment or other.”

“That wasn’t the cemetary,” snapped Ashleigh. “That was the park. We were digging in the leaves for high-entropy acidic compounds.”

“Miss Isaacs, I’m warning you,” said Strand.

“It was the cemetary, young lady, and I –”

“It was the park, you daft old bat! It was right by the statue of Washington! What, did you think it was his tombstone or something?”

“I will not be spoken to in this manner,” growled Mordeaux. “Inspector, if you cannot control this young lady –”

“Take her to the cell,” said Strand. “Be as gentle as you can; she may be mentally unstable. I’m told she is an orphan and fancies herself a student.”

“Yes, sir,” said the constable, and laid his hand on Ashleigh’s shoulder.

“Unstable?!” shrieked Ashleigh. “Why, you stupid, uneducated, half-witted –”

“Come along, now, Miss,” growled the officer. “We’ve got some knitting you can do while you’re waiting for your trial.”

Ashleigh screamed defiance and gripped the chair as hard as she could, but the officer easily lifted her out of it. Ashleigh went limp, trying to make it harder for him to move her, but he just slung her over his shoulder like a sack of meal. She screamed again.

At that moment Franklin, moving like a snake, knelt, grabbed the officer’s ankle, and yanked it into the air. The officer tumbled like a stack of bricks, and


[more here about Ash’s feelings and decisions and THEN actions]


Ashleigh rolled away and was on her feet and through the door. Franklin tried to follow, but the second constable had already drawn his revolver and fired a shot over his shoulder. Franklin dropped flat on his face and put his hands out.

As Ashleigh ran, she heard a confusion of voices behind her. “Assaulting an officer of the law… We’ll catch her soon enough…Damned Indian…”

Oh Franklin, Franklin, why did you do that? Now, on top of her murder and kidnapping, he’d be on trial too. Her frame shook with sobs, but she didn’t let that slow her down. She had to be quick, to escape, to figure out what was going on, to exonerate them both. And fast.

Steampunk Mystery (untitled), Part III

March 14th, 2012 § 0

Note: this story is still in progress, and any part of it may be changed without notice. Spoilers, notes and outline are here; Part II is here.

Part III

“So let me get this straight,” said Inspector Strand. “Dr. Mordeaux, last night you saw Miss Isaacs abduct this paperboy?”

Mordeaux sat up straight in his chair, folding both gloved hands over the top of his cane, and thrusting his luxuriantly whiskered chin directly at the inspector. He spoke with conviction and force.

“Yes,” he said. “As though I’d seen it with my own eyes.”

Strand nodded and began to write in his notebook. He, Mordeaux, Ashleigh, Frank, and several other officers were in the Inspector’s office (a rather dingy affair, decorated sallowly with yellow paint and bare wooden furniture, lit by windows barely less grimy than those at Ashleigh’s lab) making their statements.

“And so you — wait, what? As though? Doctor, did you see it happen, or not?”

“Just as I said.”

“He’s lying!” cried Ashleigh. “I did not abduct him! I have no idea where he is!”

“Doctor, this is a very serious accusation,” continued the Inspector.

“It is indeed,” said Mordeaux, frowning and shaking his head disapprovingly.

“We must be quite certain of your evidence.”

“Oh, you may rely upon it, sir.”

“But I didn’t do it!” cried Ashleigh.

“Miss Isaacs,” snapped Strand, “you will be silent or I’ll have you removed to a holding cell.” He sighed. “I apologize for asking again, then, sir, but I want to make sure it is very clear. Did you actually, with your own eyes, observe Ashleigh Isaacs kidnap this young boy?”

“Yes, she kidnapped him. Unequivicably.”

Yes, you saw her, or yes, she kidnapped him?”

“Yes!” growled Mordeaux. “Inspector, I do not understand how our police department can afford to accommodate deaf officers. Either you are deaf or dumb or both, but I am a busy man simply trying to do his civic duty, and I will not be pestered all morning with repetitive questions.”

Strand began furiously writing in his notepad, muttering into his sideburns.

Steampunk Mystery (untitled), Part II

March 14th, 2012 § 1

Note: this story is still in progress, and any part of it may be changed without notice. Spoilers, notes and outline are here; Part I is here.

Part II

When Franklin dashed in a second later, he was startled, but he didn’t scream. He’d been brought up as a Mohawk warrior; he’d seen plenty of dead bodies before. He ran back out, got some water from the sink, and brought it to Ashleigh. Ashleigh, who’d been brought up a lower-class woman of Boston, thought that if you were a female and you saw a dead body, you fainted; but somehow that didn’t happen. So she stopped screaming and accepted the water.

“How did he get here?” asked Franklin.

“I don’t know,” said Ashleigh. “I just woke up and saw him.” She cursed — not something she’d been brought up to do, but she found it useful, and Franklin didn’t mind. She emptied the glass and put it down. “My God! Who is he?”

Franklin knelt by the body. “He’s been dead maybe a week or two,” he said. “Looks like he may have died of a heart problem.” Gingerly he felt in the pockets of the rotten clothing. “Some coins here, not many. No purse, no cards… No way to tell who he is.”

“Why would anyone drag a dead body in here?” said Ashleigh. “Is it some kind of sick joke? A prank?”

“Maybe,” said Franklin. “It could have been a student who has access to a morgue.”

“A medical student,” said Ashleigh. “Maybe he’s still nearby, waiting to see how we’ll react.” She went to the door of the lab, which led directly out onto the street. It wasn’t a great place for a lab, really — there was a lot of traffic outside, and it wasn’t uncommon for curious passerby to stop and peer in the windows. But there was barely enough lab space for all the male students at MIT, much less the female students. She had to take what she could get.

The street was almost empty at this early hour, but she nearly tripped over a huge sack full of newspapers that had been dropped right by the door.

“Franklin! Look at this.” She bent down over the sack.

“What is it?”

“This is the newspaper sack that boy last night was carrying. See? The strap is cinched up for a boy to carry. And it was right here that I bumped into him. It’s just the bag he was carrying.”

“You bumped into a paper boy and he dropped his bag?”

“Well, he didn’t drop it right then. I was just taking a break from my project, and came out for a smoke, and almost walked right into him. He jumped aside and almost ran into Dr. Mordeaux.”

“Mordeaux! That was unlucky.”

“Oh yes, you should have seen the look he gave me.”

“So he was out here selling papers, and at some point he — what? He dropped his bag and ran off?”

“That would be odd; why would he just leave his papers? More likely he was attacked or kidnapped or something, and dropped the bag then.”

“But that’s awful.”

“Yes, we should call the police. And it — wait.”

Ashleigh held up a newspaper for Franklin to see. “Do you notice anything odd about this?”

He studied it a second. “It’s old,” he said. “It’s — dammit, Ashleigh, it’s from thirty years ago! It’s got dispatches from the War in it.” He grabbed one. “‘Our correspondent, reporting from Washington… President Lincoln said today…’ Are you sure this is the bag the boy was carrying?”

“Whose else would it be?”

“How should I know?” he demanded. “But why is he carrying a load of old papers?…”

“I don’t know.” Ashleigh sighed, stood, and turned back into the lab. “Bring the bag in; maybe the police will want to look at it. Faugh! The smell in here is getting bad.”

Franklin wrinkled his nose as he followed her. “It certainly is. Although — Ashleigh, the lab looks fantastic! Look at how clean everything is! Did you finish your project?”

Ashleigh looked around, beaming. “I certainly did. I worked on it most of the night, and finished it up in the early hours.” She patted the wood and brass torus on the workbench.

“What? I thought you were going to make a cleaning robot or something.”

“I was… but that turned out to be very complicated. I kept getting tripped up on things that should have been simple, like, you know, walking, picking things up without crushing them, seeing things properly… And I thought, why not just make use of the platonic brane? A simple aether-thinner should allow enough of the disentropic field to propogate — over a small area, at least.”

“But that’s ingenious! — Look at this! Even your books are organized! How much energy did it take?”

Ashleigh had been blushing with pride, but now she frowned. “Well, that’s the odd thing. It took a lot less than I was anticipating.”

“That’s a good thing, right?”

“Sure, I suppose. But I’d rather know the why of it.”

Franklin sighed. “Well, I guess that’s three mysteries today. We have extra energy, an extra dead old man, and a missing boy.”

“The last two are for the police to solve,” said Ashleigh firmly. “Tell you what — you call them, and I’ll make us some coffee.”

  • Jeff Lilly

  • Quotes

    He was eight years old, and his name was Young Bear. He was gathering blackberries on the hillside when he heard thunder echoing over the hills. But then, no, he thought, it couldn’t have been thunder — the sky was wide open and cloudless. Anyway the sound was a little too short and sharp. It seemed to have come from down in the valley, by the stream.

    He was too old to run home screaming, and too young to resist the urge to clamber down and investigate.

    And so the Spaniard’s next bullet caught his shoulder…
    — Mere America

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