Peter Ó Gamhna first contacted me a few months ago, to share his experiences with the free guided meditation “Meet a Guide”. He found himself talking to an entity that identified himself as Apollo… but who seemed a bit “distant” and definitely did not take on Apollo’s classic appearance! Since then Peter’s journey with meditation has been a remarkable one, and I encouraged him to write it up so that we could share it with you here. Meditation isn’t for everyone, but for myself and many others, it’s been an amazing path!

Hello,

My name is Peter Ó Gamhna. Jeff has given me the wonderful chance to write a guest post for his highly successful blog, one which I have eagerly accepted. I’m going to be discussing visualisation meditations, sharing my experiences and thoughts with you the reader – it is my hope that in doing so I might inspire a few of you to give it a try yourself, or simply satisfy your curiosity about the matter. Read the rest of this entry »

What does fiction have to do with divination?

The common thread is the story structure, the plot. A work of fiction is an illustration of prototypical event structures, plotlines that are moving or meaningful. A divination system also provides plotlines, as well as general elements to flesh out the events of the story. A divination system shows you a possible plot line for your own personal story; it allows you to construct a tale to make sense of your life.

A Tarot spread can be thought of as a narrative structure upon which you can hang the life events surrounding the theme of your reading. The classic three-card reading — past, present, future — is just about as basic a narrative structure as one can imagine. The Celtic Cross is an elaboration of that basic narrative, showing obstacles, influences from ‘above’ and ‘below’, etc. Diane Sylvan has a marvelous spread (the Storyteller) that echoes Campbell’s journey of the hero. The Tetractys spread, which I learned of while researching this article, is a fascinating one that I’d love to try sometime, and seems to combine four plot patterns into one.

The Tolkien spread uses Tolkien’s favorite six-part plot pattern, which I explain in detail in the previous post; it underlies most of the action of The Lord of the Rings, as well as the overall arc of the novel itself. It illustrates Tolkien’s primary theme, eucatastrophe — the sudden twist, unexpected and yet intimately bound up with the framework of the tale, that brings the story to a positive conclusion. Read the rest of this entry »

Some time ago I promised my wife I would stop meditating in the car. I was sorry to do it, because some of my very best meditations happened then, but I understood her concern. I’m willing to concede that perhaps deep meditation is not really safe at 70 miles per hour…

But on Tuesday I broke my promise. It wasn’t my fault, though — I swear! I was driving along, minding my own business, and a spirit quite firmly forced himself into my full meditative attention. Here’s how it happened. Read the rest of this entry »